Were there rehearsals prior to Kenny Rankin’s recording sessions?Ī. Me, Sam Jones, and Bobby Timmons had a trio. We had a lot of fun and traveled all around. He was one of my dear friends and we did a lot of work together. You ever hear of a singer named Kenny Rankin?Ī. I started working doing a lot of different things. What are you going to do now?” But I was playing with a lot of different people. Our families were close and our kids grew up together. We lived very near each other in Pasadena, California. We both went on to do other things musically. I never played in a band with Joe Zawinul after the Cannonball Adderley band. Did you stay in touch with Joe Zawinul? Did the two of you ever play music together again? Did you have conversations about music?Ī. I don’t know! I got the calls for the more traditional things.
#Fibes drums 1975 how to
I knew what it was about and how to play it. We would experiment with fusion sometimes in rehearsals with Cannon and Joe Zawinul. Well, I came up in a time when I was playing more straight ahead music, although along the way I played just about every type of music around. As far as I can tell, you were not involved in fusion bands in the way Lenny White, Billy Cobham, Eric Gravatt, and other drummers were. Your fellow Cannonball Adderley member, Joe Zawinul, went on to create milestones in “fusion jazz.” The seeds of Zawinul’s fusion work are heard in his work with Cannonball. Not only with Cannon, but with other people too.
#Fibes drums 1975 full
I didn’t keep a lot of journals, but I have scrapbook after scrapbook just full of stuff. Did you keep journals? Were you a letter writer all those years you were playing?Ī. There were purists saying, “Why are you playing Mercy, Mercy, Mercy?” But that was one of the biggest records out at that time. But Cannon stuck to his guns, and we did it, and he was still selling records and packing clubs. And we got a lot of flak for doing some of that stuff. Damn! I was there! (laughs).Īnd then with Cannonball’s band we went through playing a lot of different styles of music. It’s just beautiful to remember all those things. I really cherish all those memories, man. Then you would go to places like in Europe or Japan and you were like rock stars. The gigs would last for a week or two at each place. People were very knowledgable about the music. There would be lines waiting outside to get in. You would go to different clubs and the clubs would be jam packed. When we would come to town it was just unbelievable. Miles Davis is coming out with new material in a box set of his Newport dates. A friend gave me a 4-CD box set of newly released John Coltrane with Eric Dolphy in concert. I guess they’ve been taped and they’re releasing all these different things on CD now. They release things all over the place! The things we did in Europe. Myself, Sam Jones, Cannon, and Nat, and Joe Zawinul. I heard they’re supposed to release an album we did in ’64 when I first joined the band: Live at the Penthouse in Seattle. We went through a lot of different phases and each phase is different. I had a great time playing on those and I liked them all.
0 kommentar(er)
